Over the course of their career, the Canadian power trio Rush emerged as one of hard rock's most highly regarded bands. Rush formed in Toronto, Ontario, in the autumn of 1968, and initially comprised guitarist Alex Lifeson, vocalist/bassist Geddy Lee, and drummer John Rutsey. In their primary incarnation, the trio drew a heavy influence from Cream, and honed their skills on the Toronto club circuit before issuing their debut single, a rendition of Buddy Holly's "Not Fade Away," in 1973. A self-titled LP followed in 1974, at which time Rutsey exited; he was replaced by drummer Neil Peart, who also assumed the role of the band's primary songwriter, composing the cerebral lyrics that gradually became a hallmark of the group's aesthetic.
With Peart firmly ensconced, Rush returned in 1975 with a pair of LPs, but it was 1976's 2112, proved to be their breakthrough release: a futuristic concept album that fused the elements of the trio's sound - Lee's high-pitched vocals, Peart's epic-length compositions, and Lifeson's complex guitar work - into a unified whole. It established a formula from which the band rarely deviated throughout the duration of their career.
After 1978's Hemispheres, Rush achieved even greater popularity with 1980's Permanent Waves, a record marked by Peart's dramatic shift into shorter, less sprawling compositions; the single "The Spirit of Radio" even became a major hit. With 1981's Moving Pictures, the trio scored another hit of sorts with "Tom Sawyer," which garnered heavy exposure on album-oriented radio and became perhaps their best-known song. As the 1980s continued, Rush grew into a phenomenally popular live draw as albums like 1982's Signals (which generated the smash "New World Man"), 1984's Grace Under Pressure, and 1985's Power Windows continued to sell millions of copies.
As the decade drew to a close, the trio cut back on its touring schedule. At the dawn of the 1990s, however, Rush returned to the heavier sound of their early records and placed a renewed emphasis on Lifeson's guitar heroics; consequently, both 1991's Roll the Bones and 1993's Counterparts reached the Top Three on the U.S. album charts. In 1996, the band issued Test for Echo and headed out on the road the following summer. It would be years until anything surfaced from the band. Fans were reassured in early 2002 by news that Rush were recording new songs in Toronto. The fruit of those sessions led to the release of Rush's 17th studio album, Vapor Trails, later that spring. ~ Jason Ankeny, All Music Guide

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