Styx
Although they began as an artsy prog-rock band, Styx
would eventually transform into the virtual arena rock prototype by the
late '70s and early '80s, due to a fondness for bombastic rockers and
soaring power ballads. Early on, Styx's music reflected such then-current
prog rockers as Emerson, Lake & Palmer and the Moody Blues, as evidenced
by such releases as 1972's self-titled debut, 1973's Styx II, 1974's The
Serpent Is Rising, and 1975's Man of Miracles. While the albums helped
the group build a substantial following locally, Styx failed to break
through to the mainstream, until a track originally from their second
album, "Lady" started to get substantial airplay in late '74
on the Chicago radio station WLS-FM. The song was soon issued as a single
nationwide, and quickly shot to number six on the singles chart, as Styx
II was certified gold. Curulewski abruptly left the band in 1975, and
was replaced by Tommy Shaw. Shaw proved to be the missing piece of the
puzzle for Styx, as most of their subsequent releases throughout the late
'70s earned at least platinum certification (1976's Crystal Ball, 1977's
The Grand Illusion, 1978's Pieces of Eight, and 1979's Cornerstone), and
spawned such hit singles and classic rock radio standards as "Come
Sail Away," "Renegade," "Blue Collar Man," "Fooling
Yourself," and the power ballad "Babe."
The band decided that their first release of the '80s would be a concept
album, 1981's Paradise Theater which became Styx's biggest hit of their
career (selling over three million copies in a three-year period), as
they became one of the U.S. top rock acts due to such big hit singles
as "Too Much Time on My Hands" and "The Best of Times."
The follow-up was another hit, 1983's sci-fi based Kilroy Was Her. The
album would eventually lead to the group's breakup. A forgettable live
album, Caught in the Act, was issued in 1984, before Styx went on hiatus,
and the majority of its members pursued solo projects throughout the remainder
of the decade.
A re-recording of their early hit, "Lady" (titled "Lady"
'95"), for a Greatest Hits compilation, led to a full-on reunion
tour in 1996. The Styx reunion tour became a surprise sold-out success,
resulting in the release of a live album/video, 1997's "Return to
Paradise," while a whole new generation of rock fans were introduced
to the grandiose sounds of Styx via a humorous car ad which used the track
"Mr. Roboto," as well as songs used in such TV shows as South
Park and Freaks & Geeks. The group even stuck around long enough to
issue a new studio album, 1999's Brave New World, before friction between
bandmembers set in once again. With the other Styx members wanting to
soldier on with further albums and tours, DeYoung was forced to take a
break when he developed an uncommon viral ailment, which made the singer
extremely sensitive to light. DeYoung was able to eventually overcome
his disorder, but not before Shaw and Young opted to enlist new singer
Lawrence Gowan and issuing a pair of live releases in the early 21st century
-- 2000's Arch Allies: Live at Riverport (split 50-50 between Styx and
REO Speedwagon) and 2001's Styx World: Live 2001. DeYoung began touring
as a solo artist at the same time, and eventually attempted to sue Shaw
and Young over the use of the name Styx (the lawsuit was eventually settled
in late 2001). Around the same time, Chuck Panozzo confirmed rumors that
he had contracted AIDS (but was battling the virus successfully), while
the turbulent career of Styx was told in an entertaining episode of VH1's
Behind the Music.
Styx is now together again and touring the country - still playing to
sold-out venues wherever the go.
Contact
a Styx Agent now to book
Styx to appear at your next corporate, private or
special event!
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